Picture
As a kid, mainly because of my love of both comics and fantasy, I adored mythology. I think the first was the Norse mythos, undoubtedly due to The Mighty Thor, with his awesome mock-Shakespeare dialogue (“I say thee nay, varlet.”). Of course the Marvel version was rather sanitised compared to the gore-laden,
head-hacking delights of the Viking tales. And from there extended the Greek and Roman, then the Egyptian—all with similar themes and ideas, although some (like the Greek) with a touch more soap-opera than the others (who wasn’t Zeus’s kid
back then?).

I always felt that the British mythology had a sort of second-best feel to it. Perhaps that is the nature of how the British legends evolved, mixing in with the range of settlers/invaders  that wandered onto our green and pleasant land over the years. The legends of the UK extend from the pre-Roman days of  paganism and Celtic mythology, to the Dark Ages Arthurian legends and even more modern folk heroes like Robin Hood and Dick Turpin.

Picture
It’ll come as no surprise that it’s the Arthurian legends that intrigued me the most, although Celtic tales of faeries and giants weren’t far off. The legends of Arthur have seeped so much into British culture and history that many think that they are a historical, rather than a mythical, tale. There’s so much debate about Arthur and where he arose, and whether he existed, and when, that I’ll not go into it here. Was he a Romano-British  general fighting the Saxons? Was he derived as a figure from Celtic folklore? There’s great stuff to read on him, but I’m more concerned with the far more intriguing character of Merlin.

Merlin is every bit if not more fascinating than his king and friend. Merlin has never been off the radar since I was a child—whether in film, on TV, in literature. Geoffrey of Monmouth, the twelth century priest who wrote the first definitive account of King Arthur, created Merlin from a synthesis of Myrddin Willt (a legendary Welsh prophet with debatable sanity) and Ambrosius Auerilianus (a Roman-British general). Merlin was a synthesis himself, a character said to be half-demon, half-human (demon on his dad’s side, which made Father’s Day a rather memorable time each year).

Picture
And this duplicity to Merlin’s character is what has always appealed. He’s a manipulator, almost Machievellan in the way he comes across in the stories that developed since Geoffrey of Monmouth’s day. He is often portrayed as irascible, moody, intolerant of Arthur’s gallantry and chivalry.

The original (old skool) Merlin featured in several of Geoffrey of Monmouth’s works was quite fluid in nature. From the original madman concept, he moved to one where Merlin was the son of a princess and a demon, brought by the king Vortigen to sort out a tower that kept collapsing. Beneath it were two dragons, in a lake, whose scrapping kept shattering the towers foundations. These were probably symbolic of the war between Celts and Saxons (and I wonder if this featured in the idea of the dragon in the TV series  Merlin). Geoffrey tweaked the Merlin character a bit more after this—the story of Merlin helping Uther Pendragon sneak into Tintagel Castle to father Arthur with Igraine (who presumably didn’t have a migraine), and the idea he was buried at Stonehenge.

Picture
Most of what we think of as typical Merlin came later,
with others moulding the character. The thirteenth century adaptation of Arthurian legend, the Vulgate cycle (or Lancelot-Grail cycle) linked the Christian themes of the Holy Grail, the love story of Lancelot and Guinevere, and expanded Merlin as an advisor and mentor of a young Arthur. It was French in origin (like Lancelot), and was later modified again to play down the Lance & Gwen naughtiness and play up the Grail-bit.

Tom Malory’s La Morte D’Arthur became the definitive version of the Arthurian legends, probably because more modern versions (like TH White’s ‘Once and Future King’ draw on it). Malory apparently started his book whilst he was locked up in prison (it beats sewing mailbags or avoiding the showers, I suppose). Merlin isn’t in this as much as you’d think, being ‘bumped off’ fairly early, but playing a pivotal sage-like role. He’s still helping old Uthor getting into Tintagel, he’s helping the young king and the sword in the stone, he’s predicting all sorts about barons and even Queen Guinevere (if only Arthur had listened). Merlin meets his end (well becomes trapped) by Nimue pretty early on, after he accompanies her away from Camelot and overseas. She dumps him under a rock, and that’s that for Merlin in Malory’s book.

Picture
TH White’s books on Arthur (The Once and Future King)  threw a further spin on Merlin, depicting him as a wise old wizard bumbling through his life and experiencing time backwards (i.e. getting younger). This version of Merlin, by virtue of the Disney film Sword in the Stone, left the white bearded comical Merlin as my generation’s version of the sorcerer.

And now we have a young dark-haired Merlin, with an equally hunky Arthur, and a really odd (but compelling) version of the Arthur  legend. Its ongoing popularity is a reminder that Arthurian legend is here to stay, in many media. The mature readers comic Camelot 3000 (drawn by Brian Bolland) by DC in the early 80s had an amazing futuristic vision of King Arthur, although we still have a bearded Merlin (agreeably with a suitably dark  edge). So with so much Merlin in the world, who needs another version? Well, Merlin does pop up in the Infinity Bridge, but in a way which I’m certain hasn’t been seen before. And, of course, he has to have some guys to do the work for him... and they’re the (Nu) Knights of the Round Table.

Picture
And finally, and this really is a coincidence, Infinity
Bridge is coming out on a new publishing cooperative label, Myrddin. The imprint carries a wide range of genres—fantasy, steampunk, paranormal romance, YA, literary fiction and even some horror. So I’ll finish with a link to the new site, which Infinity Bridge will be sitting on very very soon....

You can check it out at http://www.myrddinpublishing.com/

Next time i'll be blogging about York, the setting for the Infinity Bridge....


 


Comments

10/16/2012 3:52pm

I've always been drawn to Marion Zimmer Bradley's 'Merlin as the Bard' which is how she portrayed him in her brilliant epic fantasy, The Mists of Avalon - terribly scarred on the outside but beautiful on the inside; a maker of music and keeper of lore; and also a worker of arcane and useful magics when necessary.

Reply
10/16/2012 4:17pm

I agree with Connie. The Mists of Avalon is definitely where my first interest in Merlin evolved from, so that image is the one that has stuck. But there is also a brilliant portrayal of Merlin as Myrddin in The Ancient Future series.

Reply
10/17/2012 2:42am

Being British like you, Ross, I've also grown up with the Arthurian legends. I really like the BBC series and the new spin they've used of Merlin as a young man trying to guide the young King without revealing his magic.

Love this article - there are nuggets of gold in here I didn't know about (like Tintagel Castle). I thought Camelot was supposed to be closer to your neck of the woods, having a recollection of seeing a sign on the M6. Any thoughts on that?

Reply
10/17/2012 3:48am

I've always been fascinated by Arthur and Merlin. One version has it that Arthur sleeps somewhere, waiting to arise when England really needs him. I love that.

And Merlin was always my favorite, especially in the TH White books. I could just imagine him sleeping in the tree where he was imprisoned, waiting to arise as well along with Arthur.

I'm super lucky because I got a sneak preview at Infinity Bridge. The book exceeds all expectations (which were already sky high) All I can say is - YA readers who love fantasy and great books, you are in for a HUGE treat.

Reply
Ross M Kitson
10/17/2012 3:51am

Thanks Connie and Rachel. Mists of Avalon has been on my need to read list for ages- the idea of Arthurian legend from a female perspective always sounded fascinating.

Reply
Ross M Kitson
10/17/2012 3:53am

Carlie- I do know the Camelot you refer to: it's a theme park, in Lancashire I think. No historical connection, but great rides by all account.

Reply
10/17/2012 1:49pm

Ross, I'd lend you my copy, but I've read it that many times it's now falling apart :-/ And Allie, I love the idea of Arthur lying in wait also, but I wonder if that has been 'borrowed' from Christianity (or even for, depending on which came first, the pagans or the Christians).

Reply
Ross M Kitson
10/17/2012 2:07pm

There are Christian themes there aren't there, of a second coming? Having said that, paganism was fairly big on rebirth.
The myth of Arthur, and the idea of him returning when the nation needed him most, was perpetuated by Edward I (the baddie in Braveheart) and his queen, Eleanor. They exhumed the alleged bones of Arthur and had them buried in a ceremony at Glastonbury Abbey. I'd be most impressed if he popped up in the middle of the annual music festival there...

Reply
10/17/2012 2:09pm

Lol! That sure would be awesome Ross! I think Arthur would LOVE a good music gig - although I would imagine music has changed since his time ;-P

Reply



Leave a Reply